Learning From a Young Master: Ceramic Artist Ryota Aoki

4 Dec 2008 Category: Arts & Crafts, Japan

Learning From a Young Master: Ceramic Artist Ryota Aoki

Ryota Aoki hard at work in his studio.

It’s the first Thursday of the month, and so time to present a recent PingMag MAKE delight, to direct your cherished attention to Japan’s arts & crafts scene. This time, we look at ceramic artist Ryota Aoki. Only thirty years old, he wears a turban on his head and his slight body is swathed in fashionable clothes. At first glance, he looks nothing like your typical idea of what a ceramicist should be. The gap between this person and his beautiful works has left many people scratching their heads. How is he able to make such wonderful things at such a young age? The answer involves a lot of hard work — and may even involve a bit of fairy dust.

Interviewed by Takafumi Suzuki
Translated by Claire Tanaka

Mr. Aoki tells us this was his first piece done with an Arabian flavor.

Mr. Aoki, how long has it been since you became a ceramic artist?

I started when I finished school, so about six years.

In one sense I think you’re quite lucky that you were able to become an artist as soon as you graduated…

Yes. But when I was still in school I decided I’d become a ceramic artist once I’d finished my two years of training.

The simple yet organic lines draw the eye.

But at most kilns it’s not a simple matter of just going in and becoming an artist right away, is it? Plus, I heard you’d originally been studying something else. What experiences led you to pursue the ceramics path?

Uh, actually, I was at a university in Toyohashi City, in Aichi prefecture. It’s a school for really bad students. (laughs) I had lots of fun friends, and I played around a ton every day. (laughs) But one day I thought, if I go on like this I’ll be in trouble. I decided to get serious and learn a trade.

I see. You had a revelation.

Then, I figured I should go for the thing I like best, and I decided on fashion. I bought a Brother sewing machine and started making clothes. I spent about a year holed-up in my room sewing, and then I got a shop in Nagoya to sell some of my clothes on commission.

A bowl with an air of restrained luxury.

Wow, after just one year! I don’t think making clothes is such a simple thing…

But that’s all I did, twenty four hours a day. I gradually got more and more shops to take my clothes. But then the stores started putting in special orders, and that got to be a hassle. And then I decided to go into accessories. I started making them and I struck on a hit product with that. (laughs)

Was this all while you were in university?

Yes, I was just feeling my way around during my school days. Then when I was in my fourth year of university, the celebrity hairstylist fad came in. And I thought, “I bet I could get a lot of girls if I did that.” (laughs) So from that less-than-pure motivation I got a part-time job at a salon. I sort of figured I’d become a full-time hairstylist once I graduated.

Mr. Aoki’s studio.

That’s got nothing to do with pottery, does it?

No. And then, one day, I thought, “I’ve still got some free time.” So I figured it would be sort of cool to take a pottery class, and I enrolled in one. And more than anything, the sensation of mud running through my fingers was so comfortable and it just clicked. I thought, “This is it!” and it was like being struck by a bomb.

And so that’s how you finally decided to become a ceramics artist?

Yes, but my family knew how I was always switching plans, so they said “You go ahead and do whatever you want, but you won’t get any support from us.” And by the time I was that age, I didn’t have the option of enrolling in art school either. So I looked into things, and I found out that there are a lot of training schools out there. I entered the Tajimi City Pottery Design and Technical Center and studied there for two years.

A series of pots.

So that was where you finally started studying professional ceramics techniques.

Yes. But I had misunderstood something. I’d been taking pottery class for two or three months before I started school so I figured, “I’ll teach my classmates a thing or two.” (laughs) But the people who had gathered at this school had already spent four years in art school studying pottery, they could do spiral wedging and use a wheel, they had lots of practical knowledge, and there was a huge gap between what I knew and what they could do.

(laughs) That must have made you feel a little flustered.

Yes. That’s why from that moment, it was all pottery all the time for me. I’d go to school from 9am to 5pm, then go to my job helping at the ceramics workshop until nine-thirty, and after work I’d borrow one of the wheels there and practice basic techniques until midnight or one in the morning. That was my life. I didn’t play around at all. During lunch break when my friends were outside playing soccer, I was busy doing research about glazes.

At first glance, a normal coffee cup, but look closer and every line seems to come alive.

Listening to stories like this and the one about your foray into fashion, it sounds like you must have great powers of concentration.

But I’d decided that I’d make a living from it right after graduating school. That’s why I spent all my time studying ceramics. After about a year had passed, I thought “Ah, I’ve surpassed my classmates and my upperclassmen too.” (laughs)

During the process of learning to become a potter without any support from your parents, didn’t you ever feel your heart would break?

Oh no, not at all. I was really poor, I couldn’t even afford to buy a juice from the convenience store, and I lived in a slimy 20,000 yen per month room where slugs used to fall onto my face from the ceiling at night, but I was determined to become a potter, and I really enjoyed my work. Then, one of my teachers told me, “Make a suicide pact with ceramics.” So I took that advice to heart and made a “suicide pact with ceramics.”

A bowl (above) and more coffee cups.

Now, how did you actually wind up working as a potter?

When I was in my second year, I started bringing my works around to galleries. And then just one, the INAX gallery said “Well, you’re just starting out but what the heck.” And I had a solo show there right after I graduated. And at my first solo show I sold out the whole collection. Then my name started to spread, and I was able to have more solo exhibitions at different places.

Wow, you sold out right away! That’s incredible. But how did you manage to acquire your artistic sense?

I’d always liked fashion, and I always thought about how to express my individuality. I also used to go out and look at new architecture and stuff too, and finally with ceramics I was able to use those experiences. That’s why I already had my own style when I was in school and I’ve just kept going with it to the present.

Showing off the handles of Mr. Aoki’s coffee cups.

I see. You used your past experiences as inspiration…

But since about two years ago, I’ve been getting inspiration from the clay. I don’t want people to think I’ve cracked up, (laughs) but it’s true. When I touch the clay, I’ve noticed that I feel “Ah, I should do what the clay wants me to do.” I put it on the wheel and let it throw me around, I let it move me. It’s like I’m helping the materials become what they want to be. Just like Japanese cuisine where you help the ingredients themselves to shine.

A sharp sensitivity and marvelous powers of concentration. Mr. Aoki, I’ve understood very well how you’ve been able to make such wonderful work despite your young age.

I hope to further extend myself out into the world as a Japanese potter. When I went to study abroad in Switzerland for six months, I realized what a high level Japanese pottery has achieved. But, Japanese pottery still isn’t well-known overseas. I’m thinking I’d like to take on that challenge.

Ryota Aoki’s kiln.

Ryota Aoki, born in Toyama Prefecture in 1978.

Thank you, Ryota Aoki, for this great peek into the world of ceramics, and to PingMag MAKE for this piece!

130 Comments

  1. wow! what a voyage his life has been so far, and still so young! I like his attitude!

    Posted by: solveig on December 4th, 2008 at 7:10 pm

  2. absolutely talented guy! deep sense of the form

    Posted by: tobto on December 4th, 2008 at 7:16 pm

  3. Does he have a web site?

    Posted by: Maria E. on December 5th, 2008 at 12:22 am

  4. Great work!!!
    I think we will hear something about this guy in the comming Future!
    realy great work…

    Posted by: Flüge on December 5th, 2008 at 12:52 am

  5. nice, I love really ceramics with really clean and simple lines… I really love the third one down

    Posted by: CJM on December 5th, 2008 at 8:46 am

  6. Ryota’s work is exceptionally beautiful. The forms are the work of a perfectionist.

    Posted by: Yael on December 6th, 2008 at 12:13 am

  7. Beautiful… I wish I owned a house full of these. Also, I think Japanese pottery is very well-known outside of Japan, at least it was presented to me in school at a young age as some of the best in the world.

    Posted by: earl on December 10th, 2008 at 12:09 pm

  8. Beautiful work.Its always wonderful to hear about young working ceramic artists.

    Posted by: Albert Avi Arenfeld on December 11th, 2008 at 7:06 am

  9. total genious!

    Posted by: amir on December 12th, 2008 at 12:38 am

  10. Does he have a website…his work is incredible!! Thanks.

    Posted by: Aaryn on December 29th, 2008 at 1:58 am

  11. well nobody care for artist. Its same every decade every century.

    Posted by: artist on January 3rd, 2009 at 1:55 am

  12. Sublime!!!! I love the forms.

    Posted by: Tricia Davis on January 10th, 2009 at 7:46 pm

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    I found great ideas on your Web site.
    Well done !
    Thanks for that and keep on doing
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  17. i love these ceramic works.
    you have to be a real master to do designs like that.
    alot of practicing :)

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    Posted by: Datacard on November 11th, 2010 at 8:53 pm

  45. I love this guy too. His work is minimal, functional and beautiful. Discovered him a few months ago on You Tube. Found this website by coincidence looking at Japanese pottery. Shall def, save in my favourites.

    Posted by: Sanj on November 28th, 2010 at 6:25 am

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