A Motion Picture Engineer From A Distant Past

2 Apr 2007 Category: Features, Film / Animation, Japan

A Motion Picture Engineer From A Distant Past

Taiji Kozaki with one of his projectors during a screening of old animations. Remember: the old projectors were hand-operated - and Taiji has to wind during the whole film.

Wearing a top hat, spectacles and tail coat… Taiji Kozaki looks like one veritable motion picture engineer from the good old days! Although he displays tiny images without any sound effects on a projection screen, the clatter of the hand-operated projector, Kozaki’s vibrant voice reading out the narratives and the music from the gramophone echo in the darkness of the room. Motion picture engineers were extremely popular when cinema was first introduced to Japan - but sadly no longer today. That’s why PingMag went to meet the modern day motion picture engineer Taiji Kozaki from beyond time and space!

Written by Ryoko
Translated by Natsumi

Taiji, what do motion picture engineers actually do?

I project old animations in cinemas using a manual motion picture projector while reading out the dialogues and narratives according to the story. Motion picture was popular mainly during Meiji, Taisho, and the early Showa period - but it has practically disappeared now. Together with my representative Natsuki Matsumoto, also a part-time lecturer at Musashino Art University, I work under the name of Chiroptic GmbH and we use projectors and films to show motion pictures, do exhibitions and give lectures about them all over Japan.

Dressed in tails and a top hat: Taiji Kozaki in action.

What made you become a motion picture engineer?

My father used to run an ironwork factory. And as mechanization and eventually digitalization progressed, I, as a child, felt some kind of loneliness when I saw all the familiar analog machines disappear. The feeling remained even after I grew up. But in 2004, still nursing this feeling, I met Natsuki Matsumoto, now my master of motion pictures. That was when I felt that perhaps I could express my attitude towards society and the machinery through projectors - which was the reason I became a motion picture engineer.


This is an extremely valuable manual projector that has been in use since the Meiji or Taisho period.

the projector case, handmade by Taiji

What do you mean exactly with the overpowering feelings you had towards today’s society?

It’s a feeling, or maybe better the attitude of treasuring things. For example, in the old days, everything used to be sturdy and long-lasting. But nowadays, the same things are made out of inexpensive materials such as plastic and all the articles are being mass-produced. You can certainly buy those products cheaply and easily, but they will break in no time. Then, because things are so cheap, people’s attitude towards them would become superficial: if things break, just buy another one. Such a way of thinking is so common in our contemporary society, and I have the feeling that our emotional attachment towards things is starting to wear off. It is as if the feeling of wanting to treasure something has a lot to do with being considerate to others too.

A motion picture screening: I bet you didn’t know the old projections used to be so small!

Being invaluable, those movies are rarely for sale, let alone being shown anywhere. This is a still of an animation titled “Moving Picture” - it is the oldest animation reel existing in Japan!

I see… So your thoughts on this issue led to your career as a motion picture engineer?

These antique images only go with their read narratives from the motion picture engineer and the music from the gramophone to accompany them. This limited amount of information should stir people’s imagination and I think that imagination of this kind will become the source of enjoyment and compassion for others. It’s all right when everything is convenient in a society - but when there is an overflow of too much information, people will start to lose the ability to imagine and their hearts will start to get twisted. That will eventually lead to new problems, such as the depletion of earth’s resources and increasing crimes. In order to end this vicious circle, I would like to come to a point where people can maintain a good attitude towards objects in general and let others know about it, too.

At the “Kanazawa Community Film Festival”: this man-powered mobile cinema allows the audience to see images in broad daylight. The audiences ranges between young and old.

Could you tell us more about your other activities beside being a motion picture engineer?

I also do what I call Steam Deliverer: this involves making tea at locations requested by a client, so basically it’s a tea delivery service. I started this service for people to enjoy a slightly different atmosphere or scenery, apart from the usual drinking a nice cup of tea. Other than that, ever since I was little, I have loveed making things, for example briefcases, lights and knick-knacks using driftwood and little bits and pieces from antique fairs that people don’t want anymore.


This is “Steam Deliverer” Taiji, making a nice cup of tea.

This sturdy paper boy bicycle is his favourite.

Another one of Taiji’s elaborated works: a case for his tea set.

Are there any common ties between being a motion picture engineer, Steam Deliverer and making things?

Wanting to entertain people is my fundamental essence. I want people in this modern society to use their imagination by playing the mysterious role of a motion picture engineer, wearing a top hat and tails - or a Steam Deliverer that nobody knows where on earth he came from. I think that small details like the projector box or the tea set case will help expand their imagination even further. It’s just so much more fun to look at than an ordinary cardboard box, you see.

Making yet another wonderful piece of work?

These hourglasses are also Taiji’s handiwork.

This deco light used at movie screenings is also handmade by Taiji.

A sewing box made out of a Shamisen case!

Finally, do you have any future plans - or messages to the readers?

So far, I’ve only been making things I just loved to do, but acting out of sensibility tended to end up being an one-off thing. So I would like to develop my theoretical side by studying not only artistic but more diverse subjects, and make sure I can convey my messages to even wider audiences.

Taiji Kozaki, the motion picture engineer

Taiji, thank you very much for your time today! Chiroptic GmbH will be introduced in the Otona-no-Kagaku Magazine vol.15, out on March 29th from Gakken publishing. The magazine will feature an interview with Natsuki Matsumoto and film director Nobuhiko Obayashi. Don’t forget to check it out!

12 Comments

  1. Wow, this is wonderful! I’d love to see one of those movies…. Can’t miss out!

    Posted by: ill p.e. on April 2nd, 2007 at 8:58 pm

  2. Intersting story , beautiful Objects too .great stuff .
    http://afghancamera.blogspot.com/

    Posted by: landry on April 2nd, 2007 at 10:06 pm

  3. [...] unknown wrote an interesting post today onHere’s a quick excerptWearing a top hat, spectacles and tail coat… Taiji Kozaki looks like one veritable motion picture engineer from the good old days! Although he displays tiny images without any sound effects on a projection screen, the clatter of the … [...]

    Posted by: making services » A Motion Picture Engineer From A Distant Past on April 3rd, 2007 at 12:28 am

  4. [...] PingMag - The Tokyo-based magazine about “Design and Making Things” » Archive » A Motion Pictu… “because things are so cheap, people’s attitude towards them would become superficial: if things break, just buy another one. Such a way of thinking is so common in our contemporary society, and I have the feeling that our emotional attachment towards t (tags: art artists) [...]

    Posted by: mobmash blog » Blog Archive » links for 2007-04-03 on April 3rd, 2007 at 9:32 am

  5. I PAY YOU THE ULTIMATE COMPLIMENT WHEN I SET PING MAG AS MY DEFAULT HOME PAGE….I DON’T REMEMBER HOW I FOUND OUT ABOUT PING MAG BUT I’VE READ IT EVERYDAY SINCE….HAVE A NICE DAY

    Posted by: AMOS on April 3rd, 2007 at 11:50 am

  6. He sure does seem like an interesting fellow. I’d love to see one of his movies!

    Posted by: Johnny on April 3rd, 2007 at 1:27 pm

  7. Check out U.F.O. graffiti in New York here - http://combustivemotorcorp.com/ufo/uforeview062106.pdf

    Posted by: alex wright on April 3rd, 2007 at 1:54 pm

  8. making nice neat good boxes.. good../?/s’[cll

    Posted by: harry on April 3rd, 2007 at 8:59 pm

  9. Oh my - this gentleman is a Steampunk hero! I am filled with admiration for someone keeping such a beautiful and personal entertainment alive, as well as being a Steam Deliverer. Just perfect.

    Posted by: Tinkergirl on April 7th, 2007 at 7:36 pm

  10. [...] brought to my attention a real Steampunk modern hero, Mr Taiji Kozaki, Motion Picture Engineer.  PingMag has a simply stunning interview with this most interesting of individuals - Mr Kozaki is [...]

    Posted by: Brass Goggles » Blog Archive » Mr Kozaki - Motion Picture Engineer on April 7th, 2007 at 7:53 pm

  11. [...] stretch of the imagination but I have to agree with Taiji Kozaki, a motion picture engineer, when he says that sometimes things today aren’t always as good as the old. For example, in the old days, [...]

    Posted by: OOKEE.com » Blog Archive » The Motion Picture Engineer on April 12th, 2007 at 3:50 pm

  12. [...] Read more: PingMag - A Motion Picture Engineer From A Distant Past [...]

    Posted by: Taiji Kozaki - "motion picture engineer", "steam deliverer" « walking without rhythm on April 20th, 2007 at 4:20 pm

  • Share and Enjoy:
  • del.icio.us
  • digg
  • Fark
  • NewsVine
  • RawSugar
  • Reddit
  • YahooMyWeb
Previously on PingMag