When I first met Luke Chandresinghe, he captured the attention of the entire room at PechaKucha Night presenting his stunning world of architectural drawings. PingMag met him again for an interview at Claska where we talked about his Institute of Ideas, re-cycling inventions and how the poetry of a drawing can simply carry you away.
Written by Uleshka
Luke, you completed your post graduate architectural studies from the Bartlett with your Institute of Ideas about two years ago and were already asked to talk and tutor in ways of expending our architectural horizons through drawing. What is special about the Bartlett?
I just had a meeting at Waseda University with a professor about architecture. When he looked at our book where people make 1:1 constructions out of chocolate, old sneakers cut, cast and drawn, models made from beeswax etc… he found that hard to digest.
The Bartlett allows students to dream and I think there are very few schools that allow you to speculate ,imagine and invent. I encourage students to go back when they were kids and simply imagine and free themselves from conformity, style and overcome their inhibitions. Somehow we loose a lot of that as we grow up and life becomes too complicated and quite often boring. We have to go back to nurture this inventiveness and I think the Bartlett does this very successfully.
What do you do with your students in the first year, then?
The first project is about finding an object and understanding it beyond what the object physically is. We cut it, we slice it and through this object we get into the world of architecture. There are three key words that we use to bring students into the vocabulary of architectural representation: drawing a plan = looking from above, drawing an elevation = looking from the side, and drawing a section= a cut through something. We would start with any object of interest and explore it beyond its appearance and functionality, and see where it goes.
Besides teaching, you also work at Sheppard Robson! What project are you currently working on there?
Currently the UK government is giving money to universities right now to build centers for excellence in teaching and learning CETL’s. We are working on a project for Sussex University in Brighton for a new CETL in Creativity. It is a completely adaptable, flexible, fully immersive interactive environment. If you are a scientist and study clouds, you can actually make steam and study a huge cloud in this room. There are tens of projectors, a programmable computer controlled LED ceiling lighting system, movable revolving screens, rooms, walls, floors and work stations, a stage area, and dividing curtain cycloramas and much more to allow students and teachers to create their own learning and teaching environments. It’s a prototype for future CETL explorations and a very exciting project to be working on both at a professional and personal level.
For me it is a very Bartlett style project. I am working with lighting engineers, computer software designers, furniture and cabinet makers, theatre and stage set designers. It is going to be built this year.
Finally coming to your Institute of Ideas: it is a proposal of 60 drawings for a patent office which you propose to be built on a site in East London (which has just been chosen for the 2012 Olympics). This was originally your thesis and you won a couple of prices with it, amongst them one from the RIBA!
Overwhelming esthetics! But what is it actually? And how did it all start?
Through a series of drawings and re-drawings the Institute came about as an idea of a place, a governing body where ideas were being patented. A patent - meaning: a good idea, that gets kept and stored for 20 years in the UK. The interesting part about this proposal was the question as to how those papers were being stored and what would happen to those papers after 20 years.
Waah! Looks amazing! But I cannot imagine how it is supposed to work…
Let me show you…. This is a 60 meter tall tower - two twin towers in fact - forming one unit with 20 floors. On the whole there are 200 units on the site. Each year new ideas get put on a piece of paper and stored on the first floor.
Err.. Sorry, but why are they not just stored in a computer?
Well the are, but there is always a paper record in case a computer breaks down. In England, its in a series of mounts, and in these mounts are warehouses and in these warehouses are lockers from A-Z. I’ve been there! In those lockers are files with the recipie of CocaCola or whatever - It’s there: all climate controlled so the paper is preserved perfectly for 20 years.
Oh! I didn’t realize those papers still exist…OK, what happens after you store an idea?
The storage vessel comprises of twenty chambers of ideas on each floor. There are twenty stories in each vessel, one for each year the idea is protected. Protected ideas rise vertically at the rate of one storey each year until it reaches the top of the storage tower at the twentieth floor.
But how do those vessels rise every year?
There is adopted vertical car park technology, combined with shipping containers and freight moving apparatus forming the towers. The technology is already there! Ideas come up on one side, they’ll have a name and a tag and its all set on a timer. After 20 years they reached the 20th floor where the ideas are no longer protected.
What happens once the time is up and the patent runs out?
A guard opens up the containers and puts all the paper in a paper-bird-folding-machine. They come out as paper-birds and end up in this middle section.
Then all the fans get turned on and then blow all the papers across into this big silo. They get pulled through those fans and can then be finally blown and dispersed across the terrain. Some get chopped up, some don’t. It will look something like this drawing called Expiration Day.
So all old ideas will be blown out onto the landscape and just fly around?
Yes! Its more about the poetry of what happens to these expired inventions. All these forgotten old ideas! Rather than be forgotten, there could be a place, a market place, a junk yard, a car boot sale - where people can exchange ideas, re-cycle ideas, have a conversation and promote better ideas. If inventors, scientists, intellectuals, whoever - come together and occupy that land - what would happen? What kind of community would start to live there? I like to call them intellectual scavengers, people who just start to look for new things and recycle old ideas into new invention… like one of my biggest heros: Panamarenko maybe? This could be the place where invention dies and is reborn.
What kind of drawing is this next one?
That’s a hand drawing and collage of lockers and paper: collage and drawing. This could be where people collect their ideas, maybe having roofs made out of old paper… It’s just a feeling of what the grittiness, the flavor of this place might be like.
The site is actually 10 km by 8 km wide and there are 200 of those 60 meter towers on the site. You can imagine it to be pretty intense when you turn the fans on: there are 64 000 fans in each tower, the noise of 64 000 fans times 200 towers and paper flying! Its like a scene of Hitchcock’s Birds. For me, it’s just wonderful to imagine what it would be like to be there.
An entire world you created here! How many drawings are there and what are the tools you use?
There are 60 finished drawings of this first step, the “birth” of the Institute of Ideas with about 140 sketches for the drawings. Drawings range from A4 size to over 1meter square. I use a ruler, a pen, pencil, ink, collage and a very small horse hair brush as my tools for drawing. Pretty low tech!
Was it really necessary to draw it all by hand?
I think the computer is one reason why many drawings today are so lifeless and empty. There is no soul. It would be nice to see the blood, the sweat, the tears on the page, but you just don’t see that very much anymore. It’s an important process, to get messy, try, and test things on the page. I see an empty sheet of paper as an empty construction site – a test site for architectural constructions.
Well, I certainly see enough sweat and long working hours in these drawings!
It looks like some parts of your drawings are re-appearing here and there!?
My drawings are all about recycling. I’m not making new drawings perhaps, I’m just adding, taking, changing, cutting, editing, customizing, recycling, … Every drawing counts! All my ideas are also about recycling inventions, taking new or old technology that is already there and re-appropriate it to a new thing. Its an attitude I adopt in all the works.
Is this still architecture? Or is it pure drawing maybe?
Yes, its architecture! There is a style to my work - I understand that - but it’s not really stylized. If I make a tower, it doesn’t have any windows and is just a very functional piece of architecture. The silo is just a cone, pretty average shape and the reason for it is its functionality. I’m more into letting things happen and they then look good, because that’s the way they are.
Do you think it is enough to draw something or is it important that things actually get build at some point?
If you are an artist, you can say that you do a drawing and since that drawing takes you somewhere, you don’t actually need to make that landscape…. That is dreaming! Architecture can take you to that next level where you build and physically inhabit your drawings.
The are a lot of dreamy projects happening at the Bartlett and I think that hopefully people are becoming more interested in living that dream in reality. Recently people seem to appreciate ideas of people like Zaha M. Hadid more and actually build those very moving and poetic things, even though they look impossible. There is a cross-over happening now between the dreamy paper world of architecture and the built world.
So how about you personally? Do you have the urge to build your designs?
For me, the poetry and the seduction of a really powerful idea in a drawing, collage or model can be enough to take you there without physically having to build it. I wanted this project to live and evolve through the process and spirit of drawing. However, I do see myself as an architect, and yes, taking drawings from the drawing board to built works is of course very importan. I am slowly heading there through some of the projects I am currently working on.
Now that you created the Institute of Ideas - where is it supposed to go?
Luke Chandresinghe at Claska
Its been in exhibitions in Frankfurt and Rio de Janerio in Brasil and London. We are trying to bring the drawings to Japan next year. I’d also like to get to the stage where we make a miniature model to see how things really work, properly engineered because it is all thought through to a standard where it could be made.
From September, I intend to continue the discussion through further research studies and work on the next stage of the Insitute of Ideas: to think about what will happen to this landscape over time. There is so much to explore here and I feel I have only just scratched the surface.
Luke - thank you so much for your deep inspiration! It was a pleasure talking to you.
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60 finished drawings - one meter in size - no computer involved: this guy is incredible! a strange world-ending atmosphere and yet refreshingly new! the last drawing looks like parts from a computer wired up! quite an amazing look on those two-tower units from above…
but I wonder if any country would actually allow those masses of paper to be tossed out into the air. they would simply go EVERYWHERE!
Posted by: lk773 on April 15th, 2006 at 1:41 am
amazing works
amazing vision
the man is an artist, a poet, a philosopher no less then an architect
Inspiring!
thank you for interviewing him and having us observe his works.
Posted by: moon on April 15th, 2006 at 9:53 am
What amazing work! Really inspiring. Just imagine a working model of these buildings…
Posted by: super mini eerk on April 15th, 2006 at 3:41 pm
Thanks Uleshka for coming and talking to me at the PechaKucha night in Tokyo and persuing me to make the interview happen. Big up to you and all at Ping Mag! Best wishes from London.
Posted by: Luke Chandresinghe on April 16th, 2006 at 5:58 am
Fantastic.
And a great interview too.
Posted by: marcus on April 17th, 2006 at 5:48 pm
This is one of the most inspiring things I’ve ever seen - a fascinating cross section between imagination, architecture and art. It would be tragically beautiful if constructed - I hope the powers that be in the UK are open to investing in the magical!
Posted by: mahalie on April 18th, 2006 at 4:43 am
[...] The Institute of Ideas, a proposal for the UK’s patent office by Bartlett studen Luke Chandresinghe is one of the most inspiring things I’ve ever seen - a fascinating cross section between imagination, architecture and art. It would be tragically beautiful if constructed - I hope the powers that be in the UK are open to investing in the magical! Excerpt from PingMag interview: [...]
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Posted by: narj, uk on April 21st, 2006 at 5:33 am
Luke my brother, I remember the child hood, you took a paper and pencil to the D.S. Senanayake lake, inginiyagala, Sri Lanka to draw the lake. you were only a 14 year old boy! i’m so proud of your work today bro. keep up the good work. by the way, nice interview by PingMag! cheers!
Posted by: Anuradha on April 26th, 2006 at 4:37 pm
Fantastic work, speachless at that detail you took your ideas too. Reminds of some of that weird constructivist tower structures I have seen in history books.
Make it happen :)
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Posted by: danny hunter on May 5th, 2006 at 3:32 am
Very inspiring, making us students of architecture imagine without boundaries and guilt.. very proud
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[...] Luke Chandresinghe expands architecture beyond the built environment and solid matter through drawing with his “institute of ideas” [...]
Posted by: Maxspace · Start here on June 8th, 2006 at 2:18 am
[...] PingMag - Successfully dreaming architecture Interview with Luke Chandresinghe on The Institute of Ideas, postgraduate work he did at the Bartlett. Amazing illustrations! (tags: architecture design illustration london bartlett graphics) [...]
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Posted by: ed feldman on August 4th, 2006 at 3:20 am
how long does it take to draw these? Its amazing!
Posted by: tom on August 16th, 2006 at 10:05 pm
good idea..but i don’t want it should be ture
Posted by: dee on August 30th, 2006 at 10:48 pm
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Posted by: Garfield + Architecture » successful dreaming architecture on September 15th, 2006 at 9:26 pm
ravissante!
Posted by: daniel munteanu on October 6th, 2006 at 11:03 pm
I saw these drawings last year, and thought they were amazing and inspiring. I didn’t realise that I’d be taught by the person who drew thein a year’s time. Nice one Luke!
Posted by: Dan Dodds on December 7th, 2006 at 9:52 am
[...] Extraordinary drawings by Bartlett student Luke Chandresinghe for the Institute of Ideas - two 60m towers where patents are filed, turned into paper cranes and blown out over London… [...]
Posted by: gravestmor » Extraordinary drawings by Bartlett student Luke Chandresinghe : : architectural ephemera on March 15th, 2007 at 2:09 pm
very much oevrwhelming!a perfect 10 architecture i’d say!
Posted by: aainaa on May 2nd, 2007 at 3:44 am
beautiful drawings, get in touch. adamreed77@hotmail.com
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how can i contact luke chandresinghe?
Posted by: sameera on January 7th, 2008 at 12:02 pm
thanks for subject. there are very beautiful drawings
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bro , i just saw this ….surfing around . brilliant stuff as always lanka .
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